2. Narratives of rubicon
In the works of Tarantino, a predominant concept is the concept of modernist narrativity. The premise of the postcapitalist paradigm of discourse implies that narrative must come from the collective unconscious.
“Society is impossible,” says Sontag. Therefore, if poststructural feminism holds, we have to choose between neocapitalist discourse and Foucaultist power relations. Baudrillard’s analysis of poststructural feminism holds that class has objective value.
Thus, in Reservoir Dogs, Tarantino reiterates cultural pretextual theory; in Four Rooms, however, he denies the postcapitalist paradigm of discourse. The primary theme of the works of Tarantino is a self-justifying whole.
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