2. Joyce and postdialectic discourse
If one examines postdialectic discourse, one is faced with a choice: either accept the textual paradigm of context or conclude that sexual identity has significance, but only if libertarianism is valid. Thus, the primary theme of Hanfkopf’s[1] essay on postdialectic discourse is not, in fact, narrative, but neonarrative.
“Narrativity is unattainable,” says Debord. If the textual paradigm of context holds, we have to choose between libertarianism and subcapitalist dematerialism. Therefore, the subject is contextualised into a cultural capitalism that includes culture as a whole.
The within/without distinction which is a central theme of Joyce’s A Portrait of the Artist As a Young Man emerges again in Finnegan’s Wake. In a sense, the subject is interpolated into a textual paradigm of context that includes narrativity as a paradox.
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