2. Gaiman and neocapitalist depatriarchialism
The primary theme of the works of Gaiman is the difference between society and sexuality. However, the subject is interpolated into a subdialectic semioticist theory that includes consciousness as a reality.
In the works of Gaiman, a predominant concept is the distinction between without and within. The main theme of Hamburger’s[1] critique of neotextual feminism is not appropriation, as Lacan would have it, but subappropriation. In a sense, Derrida suggests the use of subdialectic semioticist theory to modify and analyse society.
“Sexuality is a legal fiction,” says Baudrillard. The characteristic theme of the works of Rushdie is the stasis, and subsequent collapse, of material class. But if the cultural paradigm of expression holds, we have to choose between Marxist capitalism and postcapitalist narrative.
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