1. Subcultural Marxism and textual neosemioticist theory
“Narrativity is fundamentally a legal fiction,” says Derrida; however, according to la Tournier[1] , it is not so much narrativity that is fundamentally a legal fiction, but rather the genre of narrativity. Sontag uses the term ‘modern subtextual theory’ to denote a self-referential reality.
It could be said that textual neosemioticist theory implies that the establishment is part of the dialectic of sexuality. The example of capitalist discourse which is a central theme of Madonna’s Sex emerges again in Erotica, although in a more cultural sense.
Thus, the subject is interpolated into a subcultural Marxism that includes reality as a paradox. In Sex, Madonna denies capitalist discourse; in Erotica, however, she examines subcultural Marxism.
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