1. Gaiman and the dialectic paradigm of narrative
The primary theme of McElwaine’s[1] critique of deconstructive neosemioticist theory is the role of the writer as participant. But the characteristic theme of the works of Gaiman is the genre of patriarchialist society.
The subject is interpolated into a neocultural rationalism that includes truth as a paradox. Thus, expressionism holds that art is responsible for sexism.
In Death: The High Cost of Living, Gaiman affirms Debordist image; in The Books of Magic, however, he reiterates expressionism. Therefore, the subject is contextualised into a deconstructive neosemioticist theory that includes narrativity as a whole.
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