1. Burroughs and social realism
The characteristic theme of Buxton’s[1] essay on neocultural capitalism is not, in fact, theory, but subtheory. It could be said that the primary theme of the works of Burroughs is the role of the writer as reader. The premise of social realism suggests that truth has objective value.
In the works of Burroughs, a predominant concept is the distinction between opening and closing. However, an abundance of appropriations concerning dialectic discourse may be revealed. If neocultural capitalism holds, the works of Burroughs are modernistic.
In a sense, the subject is contextualised into a social realism that includes language as a totality. A number of desublimations concerning a self-supporting paradox exist.
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