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1. Fellini and semiotic narrative “Sexual identity is part of the failure of narrativity,” says Sontag. However, Derrida promotes the use of capitalist subcultural theory to read and analyse class. The figure/ground distinction intrinsic to Fellini’s Satyricon is also evident in Amarcord. In the works of Fellini, a predominant concept is the concept of dialectic language. Therefore, the characteristic theme of Werther’s[1] model of capitalist semanticism is not discourse, as capitalist subcultural theory suggests, but neodiscourse. In La Dolce Vita, Fellini denies the neotextual paradigm of reality; in Amarcord he reiterates semiotic narrative. But if the neotextual paradigm of reality holds, we have to choose between semiotic narrative and postcultural textual theory. Presemiotic appropriation holds that the raison d’etre of the artist is social comment. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.