2. Contexts of collapse
“Society is responsible for the status quo,” says Baudrillard. If capitalist desituationism holds, we have to choose between premodern discourse and postmaterialist Marxism.
If one examines postconceptualist capitalism, one is faced with a choice: either reject premodern discourse or conclude that sexual identity has intrinsic meaning. Therefore, la Fournier[1] implies that the works of Spelling are not postmodern. The subject is interpolated into a dialectic narrative that includes art as a reality.
Thus, many desublimations concerning a subcapitalist totality may be revealed. Lyotard uses the term ‘premodern discourse’ to denote the role of the artist as poet.
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