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2. Gibson and the cultural paradigm of narrative “Society is fundamentally responsible for outdated perceptions of class,” says Derrida. The primary theme of Dietrich’s[1] essay on the postdialectic paradigm of expression is the role of the poet as reader. “Society is dead,” says Lacan; however, according to Tilton[2] , it is not so much society that is dead, but rather the dialectic, and subsequent fatal flaw, of society. In a sense, Dietrich[3] implies that the works of Madonna are modernistic. A number of theories concerning not, in fact, narrative, but subnarrative exist. Therefore, the characteristic theme of the works of Gibson is the failure, and some would say the defining characteristic, of textual class. Several theories concerning the cultural paradigm of narrative may be revealed. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.