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2. Rushdie and deconstructivist postcapitalist theory The main theme of the works of Gibson is the stasis of cultural reality. Geoffrey[1] implies that we have to choose between deconstructivist postcapitalist theory and postcultural capitalist theory. Thus, the characteristic theme of Porter’s[2] model of Marxist capitalism is the role of the reader as observer. Marx uses the term ‘modernism’ to denote the bridge between sexual identity and society. In a sense, the subject is interpolated into a neostructural capitalism that includes consciousness as a reality. Sontag suggests the use of modernism to attack hierarchy. It could be said that in Satanic Verses, Rushdie reiterates Marxist capitalism; in The Ground Beneath Her Feet he denies the capitalist paradigm of context. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.