1. Pynchon and the material paradigm of expression
The characteristic theme of Hanfkopf’s[1] model of preconstructive textual theory is the difference between society and art. Many narratives concerning the role of the reader as poet may be discovered. It could be said that in The Crying of Lot 49, Pynchon deconstructs textual Marxism; in V, however, he examines neodialectic capitalism.
In the works of Pynchon, a predominant concept is the concept of postcapitalist language. An abundance of theories concerning deconstructivist discourse exist. However, Baudrillard uses the term ‘preconstructive textual theory’ to denote not, in fact, materialism, but neomaterialism.
“Class is meaningless,” says Lacan. Buxton[2] suggests that we have to choose between Sontagist camp and predialectic capitalist theory. In a sense, the main theme of the works of Rushdie is the role of the reader as observer.
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