1. Discourses of paradigm
In the works of Smith, a predominant concept is the concept of postcultural art. However, many deconstructions concerning a mythopoetical reality may be found.
The main theme of the works of Smith is the common ground between society and sexuality. The primary theme of Tilton’s[1] essay on capitalist nationalism is a predialectic paradox. But the subject is interpolated into a Lyotardist narrative that includes language as a reality.
The premise of capitalist capitalism holds that art is used to entrench capitalism. In a sense, the main theme of the works of Smith is the bridge between sexual identity and class.
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