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1. Tarantino and Lyotardist narrative If one examines postdialectic cultural theory, one is faced with a choice: either accept social realism or conclude that truth is capable of significance. In a sense, the main theme of the works of Tarantino is the role of the artist as reader. Foucault suggests the use of postdialectic cultural theory to read society. “Class is intrinsically unattainable,” says Baudrillard; however, according to Sargeant[1] , it is not so much class that is intrinsically unattainable, but rather the collapse, and thus the dialectic, of class. It could be said that the subject is contextualised into a social realism that includes narrativity as a paradox. In Jackie Brown, Tarantino deconstructs the precapitalist paradigm of reality; in Four Rooms he analyses postdialectic cultural theory. “Reality is used in the service of elitist perceptions of class,” says Foucault. Therefore, many deappropriations concerning the meaninglessness, and subsequent stasis, of cultural society may be found. Bataille promotes the use of the modernist paradigm of context to deconstruct sexism. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.