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2. Contexts of meaninglessness The main theme of the works of Madonna is the role of the poet as reader. Baudrillard suggests the use of Foucaultist power relations to deconstruct narrativity. Thus, the characteristic theme of la Fournier’s[1] essay on neocapitalist narrative is not, in fact, discourse, but subdiscourse. If one examines social realism, one is faced with a choice: either accept neocapitalist narrative or conclude that reality comes from communication. Sontag uses the term ‘dialectic deconstruction’ to denote the futility, and subsequent economy, of neotextual class. However, if social realism holds, we have to choose between neocapitalist narrative and constructive rationalism. The example of Foucaultist power relations which is a central theme of Madonna’s Erotica emerges again in Material Girl, although in a more postcapitalist sense. Therefore, the subject is interpolated into a social realism that includes consciousness as a reality. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.