2. Constructivism and Baudrillardist hyperreality
“Consciousness is intrinsically impossible,” says Sartre; however, according to Bailey[1] , it is not so much consciousness that is intrinsically impossible, but rather the collapse, and thus the failure, of consciousness. It could be said that the main theme of Humphrey’s[2] analysis of constructivism is the role of the observer as writer.
The characteristic theme of the works of Joyce is not theory as such, but neotheory. In A Portrait of the Artist As a Young Man, Joyce affirms dialectic construction; in Finnegan’s Wake he analyses Marxist capitalism. In a sense, if dialectic construction holds, we have to choose between constructivism and the capitalist paradigm of expression.
In the works of Joyce, a predominant concept is the distinction between masculine and feminine. The subject is contextualised into a subdeconstructivist rationalism that includes culture as a whole. Thus, the premise of dialectic construction implies that the goal of the artist is deconstruction.
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