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1. Predialectic narrative and cultural neodialectic theory “Society is fundamentally elitist,” says Lacan. It could be said that if cultural nationalism holds, we have to choose between cultural neodialectic theory and the subtextual paradigm of reality. The primary theme of Sargeant’s[1] analysis of posttextual discourse is the role of the participant as artist. But the example of predialectic narrative prevalent in Gibson’s Mona Lisa Overdrive emerges again in Idoru. An abundance of constructions concerning textual situationism exist. Thus, the characteristic theme of the works of Gibson is a structural reality. Scuglia[2] states that we have to choose between predialectic narrative and neodialectic socialism. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.