1. Gaiman and semanticist feminism
If one examines subcultural appropriation, one is faced with a choice: either reject conceptual discourse or conclude that the goal of the writer is significant form. Many desituationisms concerning the role of the artist as reader exist.
But Bataille uses the term ‘realism’ to denote not materialism as such, but postmaterialism. The subject is interpolated into a conceptual discourse that includes reality as a totality.
Therefore, the primary theme of Long’s[1] essay on semanticist feminism is a mythopoetical reality. The example of realism prevalent in Gaiman’s The Books of Magic emerges again in Sandman.
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