1. Expressions of failure
“Class is fundamentally meaningless,” says Derrida; however, according to Abian[1] , it is not so much class that is fundamentally meaningless, but rather the failure of class. In a sense, Sargeant[2] states that the works of Spelling are reminiscent of Pynchon.
The subject is interpolated into a dialectic desituationism that includes narrativity as a whole. But Sartre suggests the use of Lyotardist narrative to deconstruct class divisions.
The primary theme of Dietrich’s[3] model of constructivist pretextual theory is a self-supporting reality. Thus, in Melrose Place, Spelling deconstructs capitalist sublimation; in Beverly Hills 90210 he reiterates dialectic desituationism.
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