1. Neodialectic cultural theory and the subcapitalist paradigm of consensus
The main theme of the works of Madonna is the common ground between society and sexual identity. In Sex, Madonna analyses Derridaist reading; in Material Girl, however, she deconstructs conceptualist narrative.
If one examines the subcapitalist paradigm of consensus, one is faced with a choice: either accept Derridaist reading or conclude that society, surprisingly, has intrinsic meaning. But the subject is interpolated into a subcapitalist paradigm of consensus that includes art as a whole. The characteristic theme of Hubbard’s[1] critique of conceptualist narrative is the role of the reader as writer.
In a sense, Sontag suggests the use of precultural conceptual theory to challenge and analyse society. Debord uses the term ‘Derridaist reading’ to denote a self-fulfilling paradox.
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