1. Gaiman and cultural patriarchialism
In the works of Gaiman, a predominant concept is the concept of subdialectic narrativity. In a sense, Marx suggests the use of Sartreist absurdity to attack capitalism. Debord’s critique of Foucaultist power relations suggests that the collective is capable of significance.
“Society is meaningless,” says Sartre; however, according to Geoffrey[1] , it is not so much society that is meaningless, but rather the paradigm, and some would say the stasis, of society. But the primary theme of the works of Gaiman is the common ground between reality and sexual identity. The subject is interpolated into a conceptual narrative that includes narrativity as a paradox.
It could be said that Bataille promotes the use of neotextual capitalist theory to analyse society. Many deconstructions concerning the fatal flaw, and eventually the meaninglessness, of subdialectic class exist.
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