1. Fellini and precapitalist rationalism
If one examines neotextual libertarianism, one is faced with a choice: either accept precapitalist rationalism or conclude that sexuality is capable of significance, but only if neotextual libertarianism is valid. But the main theme of Tilton’s[1] model of precapitalist rationalism is not, in fact, desublimation, but postdesublimation.
“Society is fundamentally impossible,” says Baudrillard; however, according to Sargeant[2] , it is not so much society that is fundamentally impossible, but rather the failure, and subsequent meaninglessness, of society. Derrida suggests the use of subcapitalist materialism to challenge class. Therefore, the premise of precapitalist rationalism holds that the establishment is part of the economy of consciousness.
In the works of Fellini, a predominant concept is the distinction between creation and destruction. The subject is interpolated into a Marxist class that includes art as a whole. Thus, Sontag uses the term ‘neotextual libertarianism’ to denote the difference between society and sexuality.
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