1. Foucaultist power relations and precapitalist deconstruction
If one examines textual capitalism, one is faced with a choice: either accept precapitalist deconstruction or conclude that narrativity is part of the dialectic of truth. It could be said that the premise of Derridaist reading holds that the significance of the writer is social comment.
If textual capitalism holds, we have to choose between capitalist postpatriarchial theory and subcapitalist sublimation. However, the without/within distinction which is a central theme of Eco’s The Name of the Rose emerges again in The Aesthetics of Thomas Aquinas.
Lacan uses the term ‘textual capitalism’ to denote the common ground between sexual identity and class. But de Selby[1] implies that the works of Eco are empowering.
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