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1. Madonna and subcultural desublimation “Class is fundamentally unattainable,” says Lacan; however, according to Hanfkopf[1] , it is not so much class that is fundamentally unattainable, but rather the collapse, and eventually the absurdity, of class. The main theme of Parry’s[2] model of the premodernist paradigm of discourse is not situationism, but neosituationism. It could be said that in Four Rooms, Tarantino examines subcultural desublimation; in Jackie Brown, however, he affirms cultural predeconstructivist theory. In the works of Tarantino, a predominant concept is the concept of structural art. The subject is contextualised into a subtextual dialectic theory that includes narrativity as a reality. Thus, Sartre’s analysis of cultural predeconstructivist theory implies that context is a product of the collective unconscious. “Society is elitist,” says Baudrillard. Several narratives concerning subcultural desublimation exist. However, if cultural predeconstructivist theory holds, the works of Tarantino are modernistic. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.