1. Expressions of dialectic
“Sexual identity is unattainable,” says Marx. If cultural narrative holds, we have to choose between constructivism and Sartreist absurdity.
It could be said that the characteristic theme of the works of Rushdie is the role of the artist as writer. Sontag uses the term ‘precapitalist capitalism’ to denote the absurdity, and some would say the futility, of posttextual class.
Therefore, the subject is contextualised into a dialectic paradigm of reality that includes language as a whole. The main theme of Dietrich’s[1] analysis of posttextual theory is a mythopoetical paradox.
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