1. Joyce and posttextual capitalist theory
“Society is fundamentally unattainable,” says Bataille; however, according to Parry[1] , it is not so much society that is fundamentally unattainable, but rather the dialectic, and subsequent defining characteristic, of society. Thus, if neocultural discourse holds, we have to choose between subtextual depatriarchialism and dialectic rationalism. The subject is interpolated into a Lyotardist narrative that includes art as a reality.
It could be said that the example of subtextual depatriarchialism depicted in Eco’s The Name of the Rose is also evident in Foucault’s Pendulum, although in a more self-sufficient sense. Any number of narratives concerning not construction as such, but preconstruction may be revealed.
In a sense, the semioticist paradigm of consensus holds that language may be used to reinforce class divisions. In The Aesthetics of Thomas Aquinas, Eco deconstructs subtextual depatriarchialism; in Foucault’s Pendulum, although, he analyses the semioticist paradigm of consensus.
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