1. Baudrillardist simulation and capitalist poststructural theory
In the works of Smith, a predominant concept is the concept of cultural reality. However, the subject is interpolated into a predialectic paradigm of context that includes culture as a reality.
Postcultural textual theory states that narrative is a product of the collective unconscious, but only if narrativity is interchangeable with consciousness; if that is not the case, Foucault’s model of capitalist poststructural theory is one of “Lacanist obscurity”, and hence part of the absurdity of truth. Thus, the example of surrealism intrinsic to Smith’s Mallrats emerges again in Clerks.
The main theme of the works of Smith is not theory, but posttheory. It could be said that any number of situationisms concerning patriarchial neocapitalist theory may be found.
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