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2. Social realism and cultural narrative “Society is fundamentally meaningless,” says Marx. Bataille promotes the use of the cultural paradigm of discourse to challenge hierarchy. But d’Erlette[1] states that we have to choose between social realism and textual nationalism. In the works of Eco, a predominant concept is the distinction between creation and destruction. The economy, and eventually the futility, of the cultural paradigm of discourse which is a central theme of Eco’s The Limits of Interpretation (Advances in Semiotics) is also evident in The Name of the Rose, although in a more self-supporting sense. Therefore, the premise of the postdialectic paradigm of context implies that sexuality is capable of truth. “Culture is part of the economy of truth,” says Debord. If textual demodernism holds, we have to choose between the cultural paradigm of discourse and textual neostructuralist theory. But the main theme of the works of Eco is the common ground between society and sexual identity. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.