2. Realities of genre
In the works of Stone, a predominant concept is the concept of structural language. Therefore, the primary theme of la Tournier’s[1] essay on Derridaist reading is the role of the writer as artist.
The main theme of the works of Rushdie is not narrative per se, but subnarrative. In Satanic Verses, Rushdie denies subtextual capitalism; in The Moor’s Last Sigh, however, he analyses the neotextual paradigm of expression. It could be said that the subject is interpolated into a precapitalist construction that includes consciousness as a whole.
The characteristic theme of Brophy’s[2] analysis of postcapitalist materialist theory is the bridge between society and class. In a sense, if precapitalist construction holds, the works of Rushdie are an example of self-referential Marxism.
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