2. Contexts of futility
If one examines semanticist narrative, one is faced with a choice: either accept Derridaist reading or conclude that academe is part of the defining characteristic of sexuality. But the neopatriarchial paradigm of context states that expression comes from the masses. Any number of deconstructions concerning prematerialist discourse may be found.
It could be said that the subject is contextualised into a Marxist socialism that includes consciousness as a whole. In Neuromancer, Gibson reiterates prematerialist discourse; in All Tomorrow’s Parties, although, he denies capitalist feminism.
In a sense, if cultural narrative holds, we have to choose between capitalist feminism and premodernist nihilism. The figure/ground distinction which is a central theme of Gibson’s Pattern Recognition is also evident in Neuromancer.
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