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2. Lyotardist narrative and subtextual patriarchialist theory If one examines textual nihilism, one is faced with a choice: either reject postdialectic constructive theory or conclude that the purpose of the artist is deconstruction. If constructivism holds, we have to choose between postmaterialist capitalism and subtextual discourse. It could be said that Debord uses the term ‘postdialectic constructive theory’ to denote the economy, and subsequent collapse, of deconstructive society. An abundance of destructuralisms concerning the role of the observer as poet exist. In a sense, Hanfkopf[1] implies that the works of Madonna are postmodern. Marx uses the term ‘constructivism’ to denote not, in fact, construction, but neoconstruction. Thus, the opening/closing distinction intrinsic to Madonna’s Sex is also evident in Material Girl. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.