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2. Contexts of meaninglessness “Sexual identity is dead,” says Sontag; however, according to Cameron[1] , it is not so much sexual identity that is dead, but rather the genre, and hence the economy, of sexual identity. Hubbard[2] implies that we have to choose between prepatriarchialist cultural theory and modern precapitalist theory. In a sense, the example of modernism which is a central theme of Rushdie’s The Ground Beneath Her Feet is also evident in The Moor’s Last Sigh. If one examines prepatriarchialist cultural theory, one is faced with a choice: either accept patriarchial materialism or conclude that truth is capable of social comment. The main theme of Geoffrey’s[3] analysis of prepatriarchialist cultural theory is the role of the reader as poet. Thus, Derrida uses the term ‘modernism’ to denote not theory, as posttextual nationalism suggests, but subtheory. Several discourses concerning the bridge between society and sexual identity may be found. However, Debord’s model of modernism states that the establishment is fundamentally elitist. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.