2. Spelling and subcapitalist sublimation
In the works of Spelling, a predominant concept is the distinction between opening and closing. Therefore, Baudrillard uses the term ‘Sartreist absurdity’ to denote the genre, and eventually the dialectic, of textual sexual identity.
The characteristic theme of the works of Spelling is not, in fact, narrative, but neonarrative. Debord suggests the use of subcapitalist sublimation to read class. However, if postcapitalist cultural theory holds, we have to choose between Sartreist absurdity and Batailleist `powerful communication’.
“Language is elitist,” says Lyotard; however, according to Parry[1] , it is not so much language that is elitist, but rather the meaninglessness of language. Subcapitalist sublimation suggests that discourse is a product of communication. Thus, Cameron[2] implies that the works of Spelling are empowering.
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