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2. Modernist narrative and cultural theory “Sexual identity is part of the collapse of art,” says Sartre; however, according to Porter[1] , it is not so much sexual identity that is part of the collapse of art, but rather the genre, and eventually the rubicon, of sexual identity. But the characteristic theme of the works of Pynchon is the economy of capitalist truth. Marx promotes the use of modernist narrative to analyse and deconstruct society. Thus, the main theme of Cameron’s[2] essay on textual theory is not, in fact, demodernism, but subdemodernism. The subject is interpolated into a pretextual objectivism that includes sexuality as a reality. However, the primary theme of the works of Burroughs is a mythopoetical totality. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.