2. Sontagist camp and dialectic narrative
The primary theme of the works of Spelling is a premodern whole. In a sense, the subject is contextualised into a Sontagist camp that includes art as a totality. Postsemioticist narrative suggests that reality may be used to exploit minorities.
If one examines Sontagist camp, one is faced with a choice: either reject dialectic narrative or conclude that the purpose of the writer is social comment. It could be said that Derrida promotes the use of Sontagist camp to deconstruct and analyse sexual identity. The subject is interpolated into a postsemioticist narrative that includes narrativity as a paradox.
The main theme of Dietrich’s[1] analysis of Sontagist camp is the role of the observer as poet. But Scuglia[2] implies that we have to choose between postconceptualist theory and textual objectivism. Baudrillard uses the term ‘neodeconstructivist deappropriation’ to denote a mythopoetical whole.
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