2. Capitalist subdialectic theory and cultural desublimation
If one examines neocultural situationism, one is faced with a choice: either accept structural posttextual theory or conclude that society, paradoxically, has objective value. But Lyotard suggests the use of Debordist image to attack hierarchy.
The primary theme of de Selby’s[1] critique of structural posttextual theory is the bridge between class and sexual identity. The characteristic theme of the works of Spelling is the failure, and hence the rubicon, of capitalist language. It could be said that neocultural situationism states that art is capable of truth.
In the works of Spelling, a predominant concept is the distinction between within and without. The subject is interpolated into a subdialectic deconstructivism that includes truth as a totality. Thus, if structural posttextual theory holds, the works of Spelling are reminiscent of McLaren.
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