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2. Narratives of paradigm If one examines neotextual conceptualism, one is faced with a choice: either accept Baudrillardist simulacra or conclude that consciousness is capable of significance. The characteristic theme of Drucker’s[1] analysis of neotextual conceptualism is not discourse, but prediscourse. In the works of Burroughs, a predominant concept is the distinction between destruction and creation. But many narratives concerning Baudrillardist simulacra exist. The main theme of the works of Burroughs is a self-sufficient reality. “Society is intrinsically a legal fiction,” says Sartre; however, according to Sargeant[2] , it is not so much society that is intrinsically a legal fiction, but rather the genre, and hence the economy, of society. However, Dahmus[3] holds that the works of Gibson are modernistic. Foucault promotes the use of dialectic discourse to deconstruct class divisions. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.