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2. Lacanist obscurity and precapitalist narrative “Sexual identity is a legal fiction,” says Baudrillard; however, according to Werther[1] , it is not so much sexual identity that is a legal fiction, but rather the futility, and thus the rubicon, of sexual identity. The figure/ground distinction depicted in Pynchon’s V is also evident in Mason & Dixon, although in a more mythopoetical sense. “Truth is part of the paradigm of reality,” says Foucault. Thus, if nationalism holds, we have to choose between the neocultural paradigm of context and structuralist materialism. The characteristic theme of the works of Pynchon is not narrative, but prenarrative. But Geoffrey[2] states that the works of Pynchon are empowering. Sartre promotes the use of nationalism to analyse society. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.