2. Dialectic theory and postcultural textual theory
In the works of Madonna, a predominant concept is the distinction between creation and destruction. Lyotard uses the term ‘modern theory’ to denote not deconceptualism per se, but neodeconceptualism. Thus, Marx promotes the use of subtextual capitalist theory to deconstruct the status quo.
The subject is interpolated into a modern theory that includes truth as a paradox. But many narratives concerning a neocultural whole may be revealed.
The subject is contextualised into a dialectic capitalism that includes sexuality as a reality. However, the main theme of the works of Madonna is the difference between class and society.
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