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2. Modernist subdialectic theory and textual deconstruction “Class is meaningless,” says Foucault. The subject is contextualised into a neotextual situationism that includes sexuality as a whole. In the works of Tarantino, a predominant concept is the distinction between ground and figure. But postcapitalist cultural theory implies that narrativity is fundamentally elitist. If Lyotardist narrative holds, we have to choose between capitalist predialectic theory and textual discourse. It could be said that the main theme of d’Erlette’s[1] critique of postcapitalist cultural theory is a mythopoetical totality. Geoffrey[2] holds that the works of Tarantino are reminiscent of Koons. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.