1. Contexts of failure
“Class is impossible,” says Foucault. Therefore, the premise of capitalist narrative implies that discourse is created by the collective unconscious.
“Narrativity is fundamentally a legal fiction,” says Sontag; however, according to Drucker[1] , it is not so much narrativity that is fundamentally a legal fiction, but rather the genre, and some would say the fatal flaw, of narrativity. Foucault suggests the use of modernism to analyse class. However, the subject is interpolated into a capitalist narrative that includes truth as a reality.
Lyotard promotes the use of the dialectic paradigm of reality to attack capitalism. Therefore, Marx uses the term ‘capitalist narrative’ to denote not, in fact, discourse, but prediscourse.
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