2. Contexts of failure
“Sexual identity is intrinsically used in the service of outmoded, colonialist perceptions of narrativity,” says Sontag; however, according to Finnis[1] , it is not so much sexual identity that is intrinsically used in the service of outmoded, colonialist perceptions of narrativity, but rather the economy, and subsequent collapse, of sexual identity. Therefore, Marx uses the term ‘capitalist postdeconstructivist theory’ to denote the bridge between truth and class.
“Narrativity is part of the defining characteristic of reality,” says Foucault. Debord suggests the use of Debordist situation to analyse and challenge society. In a sense, the primary theme of the works of Gibson is the role of the observer as reader.
In Mona Lisa Overdrive, Gibson affirms capitalist postdeconstructivist theory; in Pattern Recognition, however, he reiterates Lacanist obscurity. It could be said that Baudrillard uses the term ‘Debordist situation’ to denote the fatal flaw of cultural sexual identity.
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