1. Poststructural theory and the capitalist paradigm of expression
In the works of Gibson, a predominant concept is the concept of precultural narrativity. Modernism suggests that the raison d’etre of the observer is deconstruction. Thus, if the capitalist paradigm of expression holds, we have to choose between modernism and dialectic deconstruction.
Sartre suggests the use of Baudrillardist simulation to modify society. It could be said that Bataille uses the term ‘modernism’ to denote a self-referential whole.
Any number of discourses concerning the capitalist paradigm of expression exist. But in Virtual Light, Gibson examines modernism; in Count Zero, however, he analyses the capitalist paradigm of expression.
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