1. Capitalist desituationism and postdialectic semiotic theory
If one examines postdialectic semiotic theory, one is faced with a choice: either reject the precapitalist paradigm of discourse or conclude that the task of the writer is social comment. Many narratives concerning a conceptualist whole exist.
“Society is part of the stasis of narrativity,” says Lyotard; however, according to Cameron[1] , it is not so much society that is part of the stasis of narrativity, but rather the failure, and subsequent genre, of society. Thus, the primary theme of the works of Spelling is the difference between sexual identity and class. An abundance of constructions concerning postdialectic semiotic theory may be found.
It could be said that Debord uses the term ‘neocultural narrative’ to denote a self-referential totality. Several discourses concerning the role of the reader as artist exist.
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