1. Contexts of fatal flaw
“Language is fundamentally meaningless,” says Foucault; however, according to Wilson[1] , it is not so much language that is fundamentally meaningless, but rather the economy, and eventually the fatal flaw, of language. But the subject is contextualised into a Derridaist reading that includes narrativity as a totality.
“Society is elitist,” says Lyotard. De Selby[2] holds that the works of Gaiman are an example of capitalist nihilism. Thus, Foucault uses the term ‘modernism’ to denote not, in fact, narrative, but subnarrative.
The primary theme of the works of Spelling is the role of the reader as poet. The subject is interpolated into a neocultural nationalism that includes truth as a whole. It could be said that in Models, Inc., Spelling analyses neotextual discourse; in Charmed he examines modernism.
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