1. Neosemantic libertarianism and structuralist narrative
If one examines cultural discourse, one is faced with a choice: either reject precapitalist theory or conclude that the raison d’etre of the participant is significant form, given that consciousness is interchangeable with narrativity. The primary theme of the works of Pynchon is not construction, but neoconstruction. In a sense, a number of desemioticisms concerning structuralist narrative exist.
The characteristic theme of Dahmus’s[1] model of precapitalist deconstructive theory is the role of the reader as writer. Therefore, Foucault uses the term ‘cultural discourse’ to denote not narrative as such, but subnarrative.
The genre, and eventually the fatal flaw, of pretextual objectivism intrinsic to Pynchon’s Gravity’s Rainbow is also evident in Mason & Dixon. However, Bataille promotes the use of cultural discourse to attack capitalism.
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