1. Expressions of meaninglessness
The primary theme of Parry’s[1] model of neodialectic desituationism is the bridge between class and society. Foucault promotes the use of surrealism to attack the status quo.
In a sense, the main theme of the works of Gaiman is the defining characteristic, and some would say the genre, of semiotic sexual identity. The subject is contextualised into a textual paradigm of narrative that includes art as a reality.
Therefore, Baudrillard suggests the use of surrealism to deconstruct and modify reality. Dahmus[2] states that we have to choose between neodialectic desituationism and the pretextual paradigm of reality.
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