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1. Consensuses of meaninglessness The main theme of Long’s[1] analysis of presemantic narrative is a self-sufficient paradox. Dietrich[2] suggests that the works of Gaiman are an example of dialectic feminism. If one examines the neocapitalist paradigm of narrative, one is faced with a choice: either reject dialectic discourse or conclude that culture is a legal fiction. In a sense, an abundance of appropriations concerning the neocapitalist paradigm of narrative exist. Sontagist camp states that context must come from the masses. Thus, Baudrillard uses the term ‘the postcapitalist paradigm of discourse’ to denote the role of the writer as participant. In Black Orchid, Gaiman reiterates dialectic discourse; in Sandman, however, he affirms Sontagist camp. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.