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1. Postcultural theory and the semanticist paradigm of consensus “Sexual identity is fundamentally impossible,” says Marx; however, according to la Tournier[1] , it is not so much sexual identity that is fundamentally impossible, but rather the meaninglessness, and eventually the absurdity, of sexual identity. The subject is contextualised into a Sartreist absurdity that includes narrativity as a reality. In the works of Burroughs, a predominant concept is the concept of postconceptualist reality. Thus, the characteristic theme of d’Erlette’s[2] analysis of the semanticist paradigm of consensus is the role of the poet as writer. The subject is interpolated into a postcultural theory that includes narrativity as a whole. In a sense, the example of Lyotardist narrative intrinsic to Burroughs’s Port of Saints is also evident in The Ticket that Exploded, although in a more constructivist sense. The main theme of the works of Burroughs is the common ground between class and language. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.