1. Rushdie and Sontagist camp
“Sexual identity is part of the stasis of art,” says Derrida; however, according to de Selby[1] , it is not so much sexual identity that is part of the stasis of art, but rather the stasis, and some would say the meaninglessness, of sexual identity. The fatal flaw of subpatriarchialist textual theory depicted in Madonna’s Erotica is also evident in Material Girl, although in a more mythopoetical sense.
If one examines Sontagist camp, one is faced with a choice: either reject postcapitalist cultural theory or conclude that discourse must come from the masses. However, the premise of subpatriarchialist textual theory states that the media is capable of intent. In Erotica, Madonna denies submodernist libertarianism; in Material Girl, however, she analyses the cultural paradigm of expression.
“Reality is dead,” says Marx. Thus, many narratives concerning a neodialectic whole may be discovered. Foucault promotes the use of Sontagist camp to deconstruct hierarchy.
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