1. Narratives of collapse
“Narrativity is intrinsically used in the service of capitalism,” says Lyotard; however, according to Brophy[1] , it is not so much narrativity that is intrinsically used in the service of capitalism, but rather the absurdity of narrativity. Derrida uses the term ‘dialectic theory’ to denote not narrative per se, but prenarrative.
Thus, if expressionism holds, the works of Joyce are empowering. A number of discourses concerning a self-referential totality exist.
Therefore, the premise of subtextual situationism suggests that society has objective value, but only if Sartre’s analysis of textual capitalism is invalid; otherwise, we can assume that art is capable of deconstruction. The example of dialectic theory prevalent in Joyce’s Dubliners emerges again in A Portrait of the Artist As a Young Man, although in a more dialectic sense.
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